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[a-t-rain.livejournal.com]

'Nother intro post...

Hi, I'm Nora, a.k.a. After the Rain and Fretful Porpentine, and I'm a grad student at a Large State University in the U.S. (which will probably not remain very anonymous after I've made a few more posts, but let's pretend, OK?) I'm writing my dissertation on English commoners and communities in the history plays (using a rather expansive definition of "history plays" -- I think Merry Wives is going to end up in there, along with Arden of Feversham and The Shoemaker's Holiday, but I've hit most of the conventional ones too).

I'm also getting ready to teach Edward II to undergrads for the very first time, so any advice on how not to shock them over-much is most welcome.

Comments

[lareinenoire.livejournal.com]

Ahh, the Bible Belt. I'd forgotten. I suppose a king giving half his kingdom to his male lover probably *won't* go over particularly well, then.

And I definitely see what you mean about HV, hence my comment about the play's standards. He's one of those who, if he'd lived long enough, probably would have messed things up. Then again, he managed to die young and *still* mess things up, so there you go.

angevin2 does make a good point about how much homosexuality is a prevailing theme in Edward II. Once Gaveston is out of the picture, it does fade the the background. Spencer isn't *nearly* as flamboyant, and the play really does seem to hinge on the idea of uses and abuses of power. You can't take the sexuality out of the picture--obviously--but you certainly don't need to use it as your central theme.

[mirabehn.livejournal.com]

Spencer isn't *nearly* as flamboyant, and the play really does seem to hinge on the idea of uses and abuses of power. You can't take the sexuality out of the picture--obviously--but you certainly don't need to use it as your central theme.

*nods*

I'd agree with that.

I'd also add that if you are looking at sexuality as a theme in general, it's definitely work looking at the Isabella/Mortimer relationship as well. There's something highly troubling about all of the central sexual relationships in the play. Perhaps it's the power that a male lover of a royal expects to gain which is the issue, and Mortimer's gender is therefore just as problematic as Gaveston's.

That way you're making sexuality important rather than sexual orientation per se, which might be rather good for your students. ;-)

[angevin2.livejournal.com]

And more in keeping with the period, since they didn't have a concept of sexual orientation (which isn't to say that it didn't exist until we invented it, necessarily). Which would also be a fun and possibly confusing thing to teach... ;)

On an only tangentially-related note, it's quite interesting that in Elizabeth Cary's History of Edward II (written approximately 1627 but not printed until 1680) the more threatening of Edward's favorites isn't Gaveston but Spencer, because he's really with-it politically, whereas Gaveston (to whom Edward is far more passionately attached) is sort of insubstantial really and is dispatched approximately 30 pages into the narrative. So I think it's fairly clear what sort of issues she was interested in. ;)