lea (
angevin2.livejournal.com) wrote in
thisengland2005-08-30 08:30 pm
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I've made a community icon! This may not be worthy of a post, but it's pretty and I wanted to show it off. ;) (It's not the one I'm using for this post.)
Also, because you knew it had to happen, the obligatory History Plays survey: which one's your favorite? ;)
Also, because you knew it had to happen, the obligatory History Plays survey: which one's your favorite? ;)
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What I think is sort of funny is that you get the whole spiel about how they're little-produced and not really all that good (less so now; their critical stock seems to be rising) and then every ten years or so someone stages a major production and they get rediscovered...
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Sounds like you saw the half I didn't see! I wish I could have seen both. (I especially wish I could have seen Sam West play Richard II, because... *loves*)
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Diverting slightly from Shakespeare, two of the plays in my M.A. thesis were Peele's Edward Longshanks and Marlowe's Edward II. Definitely a contrast between two radically different monarchs.
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I just read Edward Longshanks not that long ago! It's a weird play. I have the impression that it never really figures out what sort of play it wants to be...
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...as anyone who's spoken to me for about five minutes knows. ;)
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That's part of its charm!
I wrote my BA thesis on Richard II, as mentioned above, mostly because I'd read it the summer before I started on the thesis, and although I'd expected to really like it based on what I knew about it going in, it sort of left me cold: I admired the language but it didn't do a thing for me emotionally, and this bothered me enough (being a fledgling Shakespearean) that I needed to work this out. Thus I got a thesis. Also over the course of the year I spent writing the thing the play sort of worked its way under my skin and since then has steadfastly refused to leave me alone. (Needless to say, at some point I can't trace, I figured it out... ;) )
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